Eduard Buk Ulreich in his San Francisco studio, 1955

Eduard Buk Ulreich and his wife, Nura, in their Chicago studio, 1921

Eduard Buk Ulreich, untitled, 1930 – a modernist interpretation of a traditional western scene

Eduard Buk Ulreich, untitled, 1955 – reflects his response to the artworld’s movement toward total abstraction

Eduard Buk Ulreich, Three of a Kind, 1949 – emblematic of his fascination with the wild horses he first witnessed on the western plains in the early 1900s